Instructions for a Funeral
by Bruce AbrahamsIt has always seemed to me that a good short story should appeal much more to the reader’s sense of film than of prose. It should act as finished screenplay rather than elaborate narrative in terms of the stimulus and response. Much has to be conveyed in a short space and a complete way without overloading the text. Of course film has the ability to mix and match sound (including silence), vision and word, which enables the medium to condense or stretch narrative content at will.