Artists are rarely so comfortable in their skin as Victoria Rowley. Legs that are endlessly elegant (CHIC, two down) and a face of incomparable beauty, it’s a wonder that you haven’t come across her before. Perhaps it’s because she’s been up to her elbows in mysterious dyes, colouring silks and studiously creating undeniably erotic images, mixing images of the botanical with the male sex for the last few years. Now she’s managed to get the stains off her hands, she’s doing more than rolling up her sleeves to bring her creations to life.
Rowley gives a great deal of thanks to the photographer Grace Vane Percy in her development as an artist. The two have previously worked together. Rowley modelled as none other than the mistress of all things sex, Venus, for Vane Percy in 2011. Seeing herself romanticised and draped over surfaces like silk gave her an appreciation for her body that she would otherwise have never achieved. With this confidence, Rowley has draped herself once again, to complement her otherwise androcentric work. By joining her illustrations of erect phalluses on silk with her own body, she explores the complexities of female libido.
It would be too easy to dismiss Rowley’s work as capitalising on her own supernatural form. There is a depth to the message that she is learning to communicate and it is admirable that she commits to exploring her ideas with her own form in such a vulnerable and exposed way. This current project, entitled the Lamella and Pudenda series is ongoing, with an aim to complete 20 works this year. We’ll be keeping a close eye on this one…
Victoria Rowley works to commission: http://www.victoria-rowley.com/
Photographer by Grace Vane Percy http://www.gracevanepercy.com/
Hair and makeup by Susana Mota www.susanamota.co.uk